It is a well known and widely accepted practice to implement design thinking to any organization
and working process. Numerous studies have been carried out to investigate its effects and
innovative aspects. ‘Thinking outside the box’ is an overworked phrase; however, we can rarely
meet studies which investigate other, similarly creative, human-centered, innovative thinking
theories outside design thinking. I raised a thought provoking question: ‘if there is design
thinking, is there music thinking as well?’ That was the point of departure towards the then
absolutely unknown which presented amazing discoveries not only about music thinking, but also
about design thinking and how we understand the world and our relationship to it.
www.music-thinking.com
I sought to investigate a hitherto unrecognised innovative way of thinking, music thinking, a
phenomenon as yet hardly understood, revealing its context, meanings, processes, and
characteristics to explore its possible potential in thinking development and innovation
processes and to map the fundamentals of a new, adaptive, musical way of innovation booster
thinking approach for further research. My findings are proposed to establish the foundation of
a derived music thinking theory. Through wide, thorough literature research and interviews with
music-related professionals, large amount of data was gathered, analysed and synthesized through
iteration. Morphological Synthesis helped to generate the proposed ontological model of music
thinking.
In the end, the research findings were compared with design thinking attributes to explore how
the ability to think musically and the integration of music thinking methods can contribute to
design thinking development.
Business & Design MSc & MFA | University of Gothenburg Academy of Design & Crafts (HDK)
School of Business, Economics and Law Högskolan för design och konsthantverk | Handelshögskolan,
2017.
[email protected]